Archive for the ‘art’ Category

Bjork’s ‘Wanderlust’

Tuesday, April 1st, 2008

The NY Times today posted a making of video for the new Bjork ‘Wanderlust’ music video. Apparently, the whole thing took nine months to make with these guys sleeping on the set and not being paid for much of it. They start the interview off with a confession to using illicit drugs as part of their creative exploration. After watching the video, I’m not sure if they were so much explaining their process as apologizing.

One would think that in that amount of time you’d be bowled-over by this video, but instead all I kept thinking was, really, nine months? They reuse shots so often, it made me wonder how much of their footage hit the cutting room floor. To be fair, I’m not judging the final piece which is supposed to be viewed in 3D with stereoscopic glasses (oh yeah, I’ll just go to Rite-aid and pick up a pair of those…); but I would hope that they would be concious of the fact that most people are not going to see this video in 3D and that with Bjork giving them “as much time as they needed” they could create two equal pieces, one 2D and one 3D.

They use puppets, clay characters, hand drawn elements, choreographed live action green screen footage and (what the hell is that at the end?) CG. That’s all fine and good, but I don’t want to be able to tell which ones you’re using and when. Just because you have fine ingredients and you’ve mixed them in a pot doesn’t mean you’re done creating your gourmet meal. And I’d argue the ingredients here are less than fine. And I’m not opposed to a Low-Fi stylized look either, but unfortunately the video comes off as more highschool-project/ amateur hour and a bad comedy club. Perhaps like a comedy club injects you with large alcoholic drinks before the show, they should provide us all with a little psilocybin to dull and heighten the correct senses.

Have I judged enough? Now it’s your turn…let’s hear what you think.

Interview & Music Video

D.I.A. Beacon

Sunday, March 30th, 2008

Erratica D.I.A. Beacon

I just had a chance to get to this post on last weekend’s visit to the D.I.A. Beacon.
It is always a treat to be able see such great art and such a magnificent building, yet it is a shame photography isn’t allowed at the gallery. An idiotic policy in this day and age for all I know, mainly because:

1) It won’t REALLY deter people from taking pictures.
2) Having more people see images-of a decent quality- of some of the amazing work on display might only entice more people want to actually take the trip up there and see it in person.
3) The pictures you routinely see are of poor quality, which makes such an incredible place look less incredible than it actually is, which in it’s turn, might actually keep people from going.

View some more images and a short clip inside one of Serra’s sculptures after the rant below.

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Free-Range Workers

Monday, March 17th, 2008

US Design Studio

“Free to roam on green pastures for health, happiness and recreation, with perminant (permanent?) access to over 60 free on-site classes and activities, ranging from yoga to guitar lessons… Computer literate”

In their own words: “A response to the similarities between many office working conditions and battery farmed hens.”

Brilliant.

View more of Usdesignstudio here. Go to Free-range Workers

Design and the Elastic Mind

Friday, February 22nd, 2008

erratica Design and the Elastic Mind

[flv:http://www.erratica.us/wp-content/uploads/2008/02/designandelasticmind.flv designandelasticmind.jpg 352 288]
I made it earlier today to the MoMA preview of Design and the Elastic Mind. I couldn’t really take enough time to look around, but it is definitely an impressive selection of interesting work..

I’ll post something more complete once I make it back to the museum and actually get to spend some time in the exhibition. But for now, here are some low quality phone pics for now.

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Michel Gondry’s Be Kind Rewind

Saturday, February 16th, 2008

Tonight is the opening for Michel Gondry’s show Be Kind Rewind at the Deitch Projects.
The gallery will be turned into a video store with movie sets in the back, where visitors can create their own films. Those movies will be then displayed inside the gallery.

Be there, and be square. We got to the gallery at 6:10 pm. The line was just oh-my-god-there’s-no-way long. So, I’ll just go check the stuff out some other day..

Read more here.

Sagmeister @ Deitch

Friday, February 15th, 2008

Erratica Sagmeister

I made it today to the Deitch Projects to see how the Sagmeister “banana wall text” was holding up. The show, although small, is pretty awesome. The banana wall text is gone, they’ve all ripened so all you’ll see an almost homogeneous color. The smell of the entire place reminds me of my house in Colombia: ripening bananas in the kitchen. It’s a nice cozy feeling.

His prints are fantastic -check out the small prints of salt-like text on the smaller room- and the interactive spider web.

More images after the jump below.

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Olafur Eliasson’s waterfalls

Sunday, January 20th, 2008

reuters eliasson

Four giant waterfalls will be erected in New York for three months this summer in a public art project (…) The waterfalls, including one that will fall from the famed Brooklyn Bridge, are the brainchild of Danish artist Olafur Eliasson.

That should be interesting.

Read the Reuters article here.

via [archinect]

Hirst @ Lever House

Sunday, January 20th, 2008

Erratica: Damian Hirst @ Lever House

We went today to Lever House to take a peek at Damian Hirst’s show “School: Archaeology of Lost Desires, Comprehending Infinity and the Search for Knowledge” and it was pretty fun to watch, I think that’s the best I can express it. I’m sure some people find it transgressive or even repulsive and at some level ‘deep’. Apart from the first ‘oh this looks cool’ and ‘kid on a museum excitement’, all I could really see were the red stamps on the sheep’s bodies: the staple of the artist as a brand. Hirst’s name is beyond the art world and has become the Nike ‘Swoosh’, a trademark that is now absolutely recognizable (his name, not the actual red stamp…), validated in and of itself and which brings with it great economic power.

All the rest, the sheep as students, the references to Magritte and Bacon, the shark as fear and the object of study, the clocks going backwards, life and death, etc, etc. is to me irrelevant. There is no real impact from any of this circular and unconstrained arguments. It is the fact of having his name attached to anything what causes a real impact within the world of economics and outside of the discursive realm related to art. That is where I think he’s really interesting (you haven’t forgotten about “For the Love of God” right?)

In the end, and this doesn’t hurt of course, he (or his assistants) knows how to make stuff look good: everything is clinically laid out and the formaldehyde filled tanks, the white bodies and the fluorescent lights give the lobby a very beautiful greenish glow, not unlike the facade of Lever House itself.

View some hi-res images and a short clip after the jump below.

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Bjorn Schulke @ Bitforms

Saturday, January 19th, 2008

Erratica at Bitforms

I made it last night to Bitforms gallery in Chelsea for the opening of Björn Schülke’s show on a tip-off by our friend Gil Aikos. The exhibit, Überschall, features 5 interactive sculptures/instruments which came to life every now and then by humming, playing their string, flying in-situ or exhaling low frequency ‘moans’. The manufacturing and wiring of the pieces was absolutely impeccable and it only added to the hybrid yet absurd and abstract nature of the work.

View Bitforms’ site here for more info.

More lousy phone pics after the jump below.

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The Decapitator

Wednesday, January 16th, 2008

The Decapitator

I had been meaning to write about this a few days ago, but just kept forgetting about it. I came across The Decapitator’s work through a recent Wired article and the beauty, cleverness and simplicity of the strategy is astounding. This is a refreshing look at graffiti and image tagging. Not even the poor bees are safe!

Check out his great flickr set here
Read the Wired article here.